{"id":1981,"date":"2019-05-10T21:13:19","date_gmt":"2019-05-10T21:13:19","guid":{"rendered":"http:\/\/prnalumni.org\/members\/?page_id=1981"},"modified":"2019-05-10T21:13:20","modified_gmt":"2019-05-10T21:13:20","slug":"spotlight-lisa-chamblee","status":"publish","type":"page","link":"https:\/\/prnalumni.org\/members\/spotlight\/spotlight-lisa-chamblee\/","title":{"rendered":"Spotlight: Lisa Chamblee"},"content":{"rendered":"

STORIES FROM THE PARK<\/h3>\n
\n\t

PRN Alumni Foundation is comprised of the former employees of Prince, Paisley Park, Paisley Park Records, PRN Productions, NPG Records, Love4OneAnother, any and all of Prince\u2019s companies spanning his impressive nearly 40 year career.<\/p>\n

There have been, quite literally hundreds of us in Prince\u2019s employ. The Foundation represents our collective voice.<\/p>\n

We are musicians, engineers, managers, lighting directors, wardrobe designers, stylists, makeup artists, drivers, bodyguards, admin staff, valets, drivers (and more!)<\/p>\n

This \u2018Stories From The Park\u2019 chronicle is a way for our colleagues of all tenures and job types to share a little bit of Prince\u2019s magic with you through our individual voices.<\/p>\n

We hope you enjoy getting to know us\u2026we feel as if we\u2019ve known you, Prince\u2019s fans (fam) forever <3<\/p>\n

With love and gratitude,
\nPRN Alumni Foundation<\/strong><\/p>\n

Read More Spotlights<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

\n\n
\n\t\t\"Lisa\n\t<\/div>\n\n<\/div><\/div>

Spotlight: Lisa Chamblee<\/h3>\n
\n\t

\"AT HEART, I\u2019M A PRODUCER WITH ENGINEERING SKILLS\"<\/em><\/h1>\n

CHRONICLING FREE SPIRIT LISA CHAMBLEE\u2019s BOLD JOURNEY FROM IPR TO PAISLEY PARK AND BEYOND <\/h3>\n

Interviewed by writer: Tony Kiene <\/strong><\/em><\/p>\n

After she carefully wrote her name on a slip of paper, Lisa Chamblee set out to find her boss. When she finally tracked him down in Studio A at Paisley Park, Lisa approached confidently, handed Prince the slip with her name on it, and said, \u201cThis is how you spell my name for the album credit.\u201d Prince took the note, glanced at it, turned his eyes to Lisa, smiled and replied, \u201cOkay. Give it to Sam (Jennings). He\u2019ll take care of that.\u201d<\/p>\n

Such a demonstration of self-assuredness was nothing out of the ordinary for Lisa; she has always been rather \u201cbold\u201d. Nevertheless, the significance of that moment was not lost on her. \u201cWow,\u201d she thought to herself, \u201cI could get credit on Prince\u2019s album (3121). How cool is that?\u201d\n<\/p>\n

\"THE MINNEAPOLIS SOUND IS IN MY DNA\"<\/h2>\n

Although she spent most of her youth in the Massachusetts city of Worcester, approximately one hour west of Boston, Lisa\u2019s roots run deep in the Twin Cities. She was born in Minneapolis while her mother Sheila and father Derek were both natives of St. Paul. <\/p>\n

Her grandfather, the late Alvin \u201cDel\u201d Chamblee, was a true renaissance man. A World War II veteran and graduate of the Chicago Conservatory of Music, \u201cDel\u201d relocated his family to St. Paul in the early 1950s where he made a name for himself as a singer, playwright, actor, author, and painter. Lisa\u2019s great uncle, Eddie \u201cLong Gone\u201d Chamblee, a successful solo artist in his own right also played with the likes of Lionel Hampton, T-Bone Walker, Count Basie, and Dinah Washington, to whom he was once married. <\/p>\n

By the mid-1970s, members of Lisa\u2019s family were also becoming well acquainted with the musical royalty that was coming of age on the west side of the Mississippi River. \u201cMy mom saw Prince play several times while they were still in high school.\u201d Add in some of Lisa\u2019s uncles who were friends of Brownmark\u2019s as well as other future vets of the local music scene, and, as Lisa puts it, \u201cYou could say The Minneapolis Sound is part of my DNA.\u201d<\/p>\n

That said, Lisa didn\u2019t really discover Prince until around the age of 11. She reveals, \u201cIt was the Diamonds and Pearls album, particularly the title track that first caught my attention.\u201d And, as Lisa matriculated through high school, she received a first-hand introduction to the world of media and entertainment through her participation on the television show Youth Unity, which aired on Worcester\u2019s WCTR Channel 3. And while she became enamoured with the film and video production, it would be the world of audio that spurred her passion and aspirations, she just didn\u2019t know it yet.<\/p>\n

FINDING HER CALLING<\/h2>\n

After graduating in 2000, Lisa made her way east to South Bend, Indiana, where she began her freshman year of college at the University of Notre Dame. As was the case in the Twin Cities, the Chamblee\u2019s were well known around northern Indiana. Lisa\u2019s great-uncle, the late Roland W. Chamblee, Sr. \u2013 decorated war hero, human rights activist, and beloved physician \u2013 remains a legend in the South Bend community and beyond. His son, Roland, Jr., spent nearly a quarter-century as a Superior Court Judge in St. Joseph County before leaving the bench to re-establish his own law practice.<\/p>\n

As she prepared to follow in the footsteps of other successful Chamblee\u2019s, Lisa chose business as her major. Yet it became clear to her during that first year, that Notre Dame just wasn\u2019t a good fit. \u201cI was too much of a creative person, a free spirit,\u201d explains Lisa, \u201cI wasn\u2019t interested in becoming a soldier for \u2018the man.\u2019\u201d So, for her sophomore year, she transferred to Minnesota State University, Mankato.<\/p>\n

On weekends, Lisa made the 90-minute drive up US Highway 169 to stay with her aunt Rachel, who was a singer in the Twin Cities. And while accompanying Rachel to a recording session, Lisa first met the one and only Morris Hayes. \u201cIt was at his home studio and I was amazed at how much gear he had,\u201d recalls Lisa, \u201cNot just instruments, but gear. He had everything, I mean everything. Morris was a gear whore.\u201d<\/p>\n

Rachel also had sessions with Allan \u201cSparky\u201d Starks, who worked with the likes of Stevie Wonder and Gloria Estefan among others. As Lisa notes, \u201cThis was the time when a lot of people were transitioning from analogue to digital and you could have a somewhat affordable audio work station in your home.\u201d In contrast to Morris, this is what Allan had and being able to witness such different environments would ultimately serve Lisa well. <\/p>\n

It was at Sparky\u2019s studio that Lisa first came to believe that audio engineering was something she could do. \u201cSparky was called away for a minute and he said, \u2018Lisa, you can record Rachel.\u201d After showing her a few commands on Pro Tools, he left and before she knew it Lisa was running her own session. And, as she became more and more familiar with the process, it occurred to her that there were so many career possibilities in music. Now if she could just figure out what Morris had going on in his studio. \u201cEvery time I walked in there I said to myself, \u201cWhat the hell?!\u201d All the same, Lisa proved to be a fast learner. <\/p>\n

FIRST IN HER CLASS<\/h2>\n

One day, Morris told Lisa about a new school that Jack Robinson and some others were putting together and for the second time in as many years, Lisa transferred schools. However, this time, as she enrolled in the inaugural class of Minneapolis-based Institute of Production and Recording (IPR), Lisa new exactly what she wanted and wasn\u2019t going to let anything get in her way.<\/p>\n

As a woman, in an arena dominated by men, Lisa knew that she had to be twice as good as any of her classmates. \u201cI realized there were very few women in the control room,\u201d she says, \u201cSure you would see a female singer, or sometimes even a musician. But a producer or an engineer? No.\u201d For every Peggy McCreary or Susan Rogers, it seemed as though there were hundreds if not thousands of men in those positions. So, Lisa set about to help change that ratio and treated IPR as her own personal boot camp. <\/p>\n

Her production teacher was none other than St. Paul Peterson and she learned engineering from the legendary Tom Tucker, Sr. (one of the four founding partners of IPR). She proudly proclaims, \u201cMy first mentors in this business were not only heavyweights, but Prince heavyweights at that.\u201d Lisa didn\u2019t waste any time learning her craft, even recording multiple albums worth of material for outside clients at IPR during her time in school. And, just like a professional, she charged those clients for her services before IPR instituted a policy against such a practice. <\/p>\n

When Lisa was finished at IPR she hadn\u2019t only graduated, but did so as the class valedictorian. She immediately opened her own studio with production partner, Onyx and for the next year or so continued to refine her proficiency and knowledge of audio, while admitting, \u201cAt heart I\u2019m a producer that just happens to have engineering skills.\u201d <\/p>\n

At some point in early 2004, Morris had some more news to share with Lisa. \u201cHe simply said to me, \u2018Be ready. You might be getting call from Paisley Park soon.\u201d Of course, like anyone in Minneapolis, Lisa wanted to work for Prince. However, to her knowledge Paisley Park was that it was in need of a lot of work. \u201cAt the time, I knew that only Studio A was hardly up and running.\u201d Therefore, she wondered why they might call on her. <\/p>\n

What she didn\u2019t know was Grammy-Award winning engineer Dave Hampton \u2013 who\u2019d worked with jazz legends Herbie Hancock, Wayne Shorter, and Marcus Miller \u2013 had been brought in not only as a studio designer but also the new technical director at Paisley Park. It was Dave\u2019s charge to make sure the facility was fully functioning again.<\/p>\n

In spite of her reservations, she heeded Morris\u2019 advice and started to get ready. Says Lisa, \u201cI listened to pretty much all Prince\u2019s music along with all the music that influenced him: classic funk, rock, and R&B.\u201d And, knowing that Prince \u201cliked to record directly to tape,\u201d she made sure that all her bases were covered if she ever called upon to record Prince herself. Then, just a few months after Morris alerted her, Lisa got that call.<\/p>\n

\u201cI LOVE HOW LISA SET UP THAT ROOM\u201d<\/h2>\n

It was Saturday evening, May 1, 2004, when one of the engineers failed to show up at Paisley Park. Morris called Lisa, let her know she \u201cwas up,\u201d and she made the drive out to Chanhassen. Always prepared, she brought along a r\u00e9sum\u00e9 and a CD demo of her work. As she arrived at the front door, Dave Hampton greeted her and escorted her to Studio A. When she walked in Lisa noticed that Morris and engineer Ian Boxill already seemed to be well into a session. \u201cMorris,\u201d she declared, \u201cYou started without me?\u201d <\/p>\n

As everyone was overcome with laughter, Dave informed her that she was actually scheduled for Studio C. It was there that she was asked to work with Malo (Adams), emerging solo artist and former front man of St. Paul\u2019s critically acclaimed power trio, the Tribe of Millions. What Lisa assumed might just be a one-off session, was in actuality a job interview. \u201cDave set some \u2018booby traps\u2019 for me to work my way through. This included some noise, sort of a hum in Pro Tools that really wasn\u2019t there.\u201d Lisa passed her test with flying colors and was hired as the local staff engineer. Nonetheless, Lisa realized that she still had to prove herself. \u201cI may have gotten by Dave, but there was still Prince.\u201d<\/p>\n

Lisa\u2019s first assignment was to \u201cwire-up\u201d Studio D, which essentially had been a closet until Dave began the process of transforming it. The first thing she noticed was the PA system, which seemed unusual. When she asked why, Dave replied, \u201cThat\u2019s what Prince wants.\u201d <\/p>\n

To this point, Lisa had still not even met Prince who was on the road, six-weeks or so into the Musicology Tour. Even so, she knew that a break in the tour schedule was upcoming and worked tirelessly to \u201cmake sure everything was right.\u201d In retrospect, Lisa acknowledges that putting together Studio D turned out to \u201cthe beginning of my partnership with Dave,\u201d (the two of whom today operate the southern California-based Reftone Speakers among numerous other business ventures).<\/p>\n

Shortly after her new boss returned to Paisley Park, Lisa got word that Prince told Ian \u201cI love how Lisa set up that room\u201d (Studio D). This was great news on a couple of fronts; Not only was Prince impressed with Lisa\u2019s work, but she\u2019d already heard more than once \u201cIf he remembers your name, that\u2019s a good sign.\u201d Moreover, it was in Studio D where Prince would later compose his Grammy-nominated and Golden Globe-winning \u201cA Song of the Heart\u201d (from the motion picture soundtrack Happy Feet). <\/p>\n

LISA\u2019S MASTER CLASS<\/h2>\n

It wasn\u2019t long before Lisa had the opportunity to go into the studio with Prince. \u201cIt was just for some keyboard overdubbing that he was doing, nothing major\u201d remarks Lisa, \u201cStill, it felt like I was holding my breath the whole time. I\u2019m not sure I was even breathing at all.\u201d And, when she forgot to stop the tape it went off the reel. \u201cLisa!\u201d Prince snapped. As she scrambled to fix her mistake, Prince asked, \u201cWhat are you, scared?\u201d In that moment, remembering all the times she\u2019d been told, \u201cPrince can smell fear,\u201d she calmly gathered her thoughts and reminded herself to just breathe. \u201cNo. I\u2019m fine,\u201d Lisa laughed, \u201cHe looked at me for a moment. Then we continued the session.\u201d<\/p>\n

From then on, things went much smoother for Lisa. Among her fondest memories at Paisley Park is from 2005, when Prince was about as excited as she\u2019d ever seen him. \u201cGuess what we are doing today,\u201d he asked Lisa. Before she could even respond, Prince continued, \u201cSonny and Michael are coming over and we are going to record.\u201d So, Lisa set up Studio A for what, unbeknownst to her at the time, would become one of the most unforgettable nights of her life. She describes it like this, \u201cThe vibe was so surreal, so dope.\u201d<\/p>\n

Lisa remembers it was quite difficult to gain her focus through all the amazement. \u201cYou could feel Prince\u2019s energy in the room; it was off the charts.\u201d And, when you coupled Prince\u2019s electricity with the ethereal connection between the three of them, it was \u201cpure magic.\u201d Prince, Sonny, and Michael recorded eleven or twelve songs that night in succession, a handful of which would later anchor the 2009 album Lotusflow3r<\/i>. \u201cIt was like completing a Master Class in production and engineering all in one fell swoop,\u201d says Lisa. \u201cTo capture the masters playing new music, collaborating and improvising\u2026words can\u2019t describe the magnificence of that night.\u201d <\/p>\n

\u201cLISA\u2026 I WANT YOU TO HEAR SOMETHING\u201d<\/h2>\n

As Prince started to record 3121, Lisa\u2019s role increased and she was able to spend more and more time in the studio. \u201cI would record his drums, then bass, guitar, and then keys. But he recorded his own vocals,\u201d explains Lisa. Thus, after she set him up for vocals, Prince would ask Lisa to leave the room.<\/p>\n

Normally, she would find something else to do. Sometimes she might pick up a magazine, which she did on one particular occasion. Generally, if Lisa was not in the room and Prince needed something, he\u2019d simply summon her over the intercom. For example, \u201cLisa. Studio A,\u201d was a common refrain throughout the corridors of Paisley Park. \u201cYet one this one time,\u201d as she recounts, \u201cHe just appeared at the Engineer\u2019s Lounge. Scared me half to death.\u201d<\/p>\n

\u201cLisa. I want you to hear something,\u201d announced Prince. He then stopped and said, \u201cWait a minute. How old are you? I\u2019m not sure if you can hear this.\u201d Incredulous, Lisa shot back, \u201cSure I can! What are you even talking about?\u201d After they both laughed, Prince shared his new creation, \u201cSatisfied.\u201d With regard to this ballad which ultimately appeared on 3121, Lisa wasn\u2019t going to offer her opinion unless Prince asked. \u201cI never wanted to come off as self-important. I just thought of myself as a facilitator. Prince was the vessel.\u201d Regardless, Prince did ask, \u201cWhat do ya think?\u201d and Lisa confirmed that yes, she indeed liked the song. <\/p>\n

MOVING ON<\/h2>\n

As she casually strode toward Sam Jenning\u2019s office with slip in hand (of how to credit her name on 3121), Lisa recognized this was big personal moment for her; Assistant Engineer on 3121. Likewise, it had not escaped her that she was part of unique collective, something that had never occurred before at Paisley Park. \u201cWith Dave, Ian, Ralph (Sutton), Khaliq (Glover) and myself, Prince had an all-black crew. That meant a lot to all of us and I know it did to Prince as well.\u201d<\/p>\n

Not long after she\u2019d completed her duties at Paisley Park, Lisa relocated to Hollywood where she went to work for world-renowned artist, composer, producer, professor, and maestro of multiple musical genres, George Duke. At George\u2019s fabled Le Gonks West Studio, Lisa became 2nd engineer to Erik Zobler, who\u2019s own career spans more than four decades. <\/p>\n

She spent nearly eight years with George and Erik until Duke\u2019s passing in 2013. Among the myriad of artists Lisa helped record during this time were Jeffrey Osborne, Teena Marie, Sheila E., Kevin Whalum, Eric Benet, Ledisi, Tower of Power, and \u201cUncle\u201d Charlie Wilson. \u201cThose were truly great times,\u201d she says. <\/p>\n

While she reminisces about that period of her career so many stories come to mind. One that sticks out from around 2007 is when she got the chance to record Charlie Wilson, who was looking to shop around some new material. Riveted by how great his vocals sounded, Lisa was quite pleased with herself. \u201cI must have really done well,\u201d she thought. When informed that \u201cUncle Charlie\u201d was simply that good, she took it in stride and playfully declared, \u201cWell. At least I didn\u2019t f#!% it up.\u201d<\/p>\n

Another memorable occasion was recording Teena Marie. Having worked with Prince, Lisa was no stranger to pranks and other shenanigans. Still, what George and Erik had in store for her that day was something altogether different. \u201cThey told me that Teena wanted my invoice (for Lisa\u2019s services) right after the session.\u201d<\/p>\n

This seemed a little peculiar to Lisa, who would normally forward her bill a few days later \u201clike pretty much everyone else did.\u201d But since the two of them insisted, Lisa went ahead and presented her invoice to Teena immediately following the session. \u201cShe seemed really cool about it and even cut me a check right there on the spot,\u201d laughs Lisa, \u201cBut I sensed her surprise. That\u2019s when I knew George and Erik had played me.\u201d <\/p>\n

HEARTBREAK<\/h2>\n

In 2013, Dave and Lisa opened Reftone Speakers, which have become an industry standard in professional music studios all over the world. Naturally, Prince was well already well aware of the technical expertise that the two of them brought to the table. And as Paisley Park was again in need of some upgrades, Prince sought their help. <\/p>\n

\u201cDave and I were supposed to work with him again but we never got that chance,\u201d explains Lisa, \u201cSomeone from Prince\u2019s team called Dave from time to time in order to pick his brain. However, Dave asserted that he \u2018needed to be there\u2019 and for whatever reason that never happened. I believe we were actively blocked getting back to Paisley Park. And that breaks my heart.\u201d <\/p>\n

On April 21, 2016, Lisa happened to be at a trade show in Las Vegas\u2013 and of all places was staying at the Rio Hotel and Casino. The last time she\u2019d been there was on her 25th birthday, when she saw Prince perform during his celebrated Club 3121 residency. That morning when the news of Prince\u2019s passing reached her, Lisa was devastated. \u201cI cried all the time, I couldn\u2019t even talk about him for a year,\u201d she conveys, \u201cThat day we were robbed on the embodiment of music. Prince was music.\u201d<\/p>\n

hen she thinks back on all the things that she took away from her time with Prince, several things register instantly. \u201cTo be fearless for one,\u201d she notes, \u201cPlus, he\u2019d always tell us to think big, and then think even bigger.\u201d Perhaps most importantly, Lisa affirms that \u201cPrince wanted you to be yourself and in doing so to become the best possible version of you.\u201d And, as Lisa and countless other PRN Alumni have expressed, there was no one better than Prince at getting the absolute best out of those around him. <\/p>\n

\n***<\/p>\n

\u00a9 Tony Kiene & PRN Alumni Foundation<\/strong><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

PRN Alumni Foundation is comprised of the former employees of Prince, Paisley Park, Paisley Park Records, PRN Productions, NPG Records, Love4OneAnother, any and all of Prince\u2019s companies spanning his impressive nearly 40 year career. There have been, quite literally hundreds of us in Prince\u2019s employ. The Foundation represents our collective voice. We are musicians, engineers, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1581,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\nSpotlight: Lisa Chamblee - PRN Alumni Foundation<\/title>\n<meta name=\"description\" content=\"The PRN Alumni \u201cStories From The Park\u201d Spotlight series continues with this interview with Kimberly Arland\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/prnalumni.org\/members\/spotlight\/spotlight-lisa-chamblee\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Spotlight: Lisa Chamblee - PRN Alumni Foundation\" \/>\n<meta property=\"og:description\" content=\"The PRN Alumni \u201cStories From The Park\u201d Spotlight series continues with this interview with Kimberly Arland\" \/>\n<meta property=\"og:url\" content=\"https:\/\/prnalumni.org\/members\/spotlight\/spotlight-lisa-chamblee\/\" \/>\n<meta property=\"og:site_name\" content=\"PRN Alumni Foundation\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/PRNalumniFDN\/\" \/>\n<meta property=\"article:modified_time\" content=\"2019-05-10T21:13:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/prnalumni.org\/members\/wp-content\/uploads\/2018\/05\/prnalumni-share.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"951\" \/>\n\t<meta property=\"og:image:height\" content=\"499\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@PrnAlumniFDN\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"17 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/prnalumni.org\/members\/spotlight\/spotlight-lisa-chamblee\/\",\"url\":\"https:\/\/prnalumni.org\/members\/spotlight\/spotlight-lisa-chamblee\/\",\"name\":\"Spotlight: Lisa Chamblee - PRN Alumni Foundation\",\"isPartOf\":{\"@id\":\"https:\/\/prnalumni.org\/members\/#website\"},\"datePublished\":\"2019-05-10T21:13:19+00:00\",\"dateModified\":\"2019-05-10T21:13:20+00:00\",\"description\":\"The PRN Alumni \u201cStories From The Park\u201d Spotlight series continues with this interview with Kimberly Arland\",\"breadcrumb\":{\"@id\":\"https:\/\/prnalumni.org\/members\/spotlight\/spotlight-lisa-chamblee\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/prnalumni.org\/members\/spotlight\/spotlight-lisa-chamblee\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/prnalumni.org\/members\/spotlight\/spotlight-lisa-chamblee\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/prnalumni.org\/members\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Spotlight: Stories From The Park\",\"item\":\"https:\/\/prnalumni.org\/members\/spotlight\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Spotlight: Lisa Chamblee\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/prnalumni.org\/members\/#website\",\"url\":\"https:\/\/prnalumni.org\/members\/\",\"name\":\"PRN Alumni Foundation\",\"description\":\"Continuing a legendary purpose\",\"publisher\":{\"@id\":\"https:\/\/prnalumni.org\/members\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/prnalumni.org\/members\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/prnalumni.org\/members\/#organization\",\"name\":\"PRN Alumni Foundation\",\"url\":\"https:\/\/prnalumni.org\/members\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/prnalumni.org\/members\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/prnalumni.org\/members\/wp-content\/uploads\/2023\/01\/PRNalumniFOUNDATION.png\",\"contentUrl\":\"https:\/\/prnalumni.org\/members\/wp-content\/uploads\/2023\/01\/PRNalumniFOUNDATION.png\",\"width\":400,\"height\":166,\"caption\":\"PRN Alumni Foundation\"},\"image\":{\"@id\":\"https:\/\/prnalumni.org\/members\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/PRNalumniFDN\/\",\"https:\/\/twitter.com\/PrnAlumniFDN\",\"https:\/\/www.instagram.com\/prnalumnifdn\/\",\"https:\/\/www.pinterest.com\/prnalumni\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Spotlight: Lisa Chamblee - PRN Alumni Foundation","description":"The PRN Alumni \u201cStories From The Park\u201d Spotlight series continues with this interview with Kimberly Arland","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/prnalumni.org\/members\/spotlight\/spotlight-lisa-chamblee\/","og_locale":"en_US","og_type":"article","og_title":"Spotlight: Lisa Chamblee - PRN Alumni Foundation","og_description":"The PRN Alumni \u201cStories From The Park\u201d Spotlight series continues with this interview with Kimberly Arland","og_url":"https:\/\/prnalumni.org\/members\/spotlight\/spotlight-lisa-chamblee\/","og_site_name":"PRN Alumni Foundation","article_publisher":"https:\/\/www.facebook.com\/PRNalumniFDN\/","article_modified_time":"2019-05-10T21:13:20+00:00","og_image":[{"width":951,"height":499,"url":"https:\/\/prnalumni.org\/members\/wp-content\/uploads\/2018\/05\/prnalumni-share.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@PrnAlumniFDN","twitter_misc":{"Est. reading time":"17 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/prnalumni.org\/members\/spotlight\/spotlight-lisa-chamblee\/","url":"https:\/\/prnalumni.org\/members\/spotlight\/spotlight-lisa-chamblee\/","name":"Spotlight: Lisa Chamblee - PRN Alumni Foundation","isPartOf":{"@id":"https:\/\/prnalumni.org\/members\/#website"},"datePublished":"2019-05-10T21:13:19+00:00","dateModified":"2019-05-10T21:13:20+00:00","description":"The PRN Alumni \u201cStories From The Park\u201d Spotlight series continues with this interview with Kimberly Arland","breadcrumb":{"@id":"https:\/\/prnalumni.org\/members\/spotlight\/spotlight-lisa-chamblee\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/prnalumni.org\/members\/spotlight\/spotlight-lisa-chamblee\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/prnalumni.org\/members\/spotlight\/spotlight-lisa-chamblee\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/prnalumni.org\/members\/"},{"@type":"ListItem","position":2,"name":"Spotlight: Stories From The Park","item":"https:\/\/prnalumni.org\/members\/spotlight\/"},{"@type":"ListItem","position":3,"name":"Spotlight: Lisa Chamblee"}]},{"@type":"WebSite","@id":"https:\/\/prnalumni.org\/members\/#website","url":"https:\/\/prnalumni.org\/members\/","name":"PRN Alumni Foundation","description":"Continuing a legendary purpose","publisher":{"@id":"https:\/\/prnalumni.org\/members\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/prnalumni.org\/members\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/prnalumni.org\/members\/#organization","name":"PRN Alumni Foundation","url":"https:\/\/prnalumni.org\/members\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/prnalumni.org\/members\/#\/schema\/logo\/image\/","url":"https:\/\/prnalumni.org\/members\/wp-content\/uploads\/2023\/01\/PRNalumniFOUNDATION.png","contentUrl":"https:\/\/prnalumni.org\/members\/wp-content\/uploads\/2023\/01\/PRNalumniFOUNDATION.png","width":400,"height":166,"caption":"PRN Alumni Foundation"},"image":{"@id":"https:\/\/prnalumni.org\/members\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/PRNalumniFDN\/","https:\/\/twitter.com\/PrnAlumniFDN","https:\/\/www.instagram.com\/prnalumnifdn\/","https:\/\/www.pinterest.com\/prnalumni\/"]}]}},"_links":{"self":[{"href":"https:\/\/prnalumni.org\/members\/wp-json\/wp\/v2\/pages\/1981"}],"collection":[{"href":"https:\/\/prnalumni.org\/members\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/prnalumni.org\/members\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/prnalumni.org\/members\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/prnalumni.org\/members\/wp-json\/wp\/v2\/comments?post=1981"}],"version-history":[{"count":2,"href":"https:\/\/prnalumni.org\/members\/wp-json\/wp\/v2\/pages\/1981\/revisions"}],"predecessor-version":[{"id":1984,"href":"https:\/\/prnalumni.org\/members\/wp-json\/wp\/v2\/pages\/1981\/revisions\/1984"}],"up":[{"embeddable":true,"href":"https:\/\/prnalumni.org\/members\/wp-json\/wp\/v2\/pages\/1581"}],"wp:attachment":[{"href":"https:\/\/prnalumni.org\/members\/wp-json\/wp\/v2\/media?parent=1981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}